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Showing Records: 21 - 40 of 1124

A Home Away From, by Glenn Allen Smith

 File — Box: 22, Folder: 6
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1977, 1980, 1987, undated

A Man for All Seasons, by Robert Bolt, script

 File — Box: 24, Folder: 5
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1977, 1980, 1987, undated

A Man for All Seasons, by Robert Bolt, script, notes, and research

 File — Box: 24, Folder: 4
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1977, 1980, 1987, undated

“A Sort of Preface”

 File — Box: 30, Folder: 13
Sub-Series Description From the Sub-Series:

Articles and essays in this subseries relate to Vliet’s own writing process and influences. All are in typescript form and most have handwritten annotations.

Dates: 1960, undated

A Texas Trilogy, Complete, 1973-1979, undated

 Sub-Series
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: 1973-1979, undated

A Texas Trilogy reviews, programs, invitations

 File — Box: 25, Folder: 11
Series Description From the Series:

This series contains materials on the promotion of Preston Jones' theatrical career especially in regard to the Trilogy. It includes photographs, clippings, reviews, articles, interviews and videotapes, providing information on aspects of the author's life, career, and writing methods.

Dates: 1974-1986

A Young Woman’s Reading

 File — Box: 8, Folder: 4
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: circa 1980s

Accent, 1956 - 1958

 File — Box: 32, Folder: 9
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1956 - 1958

Accession 2018-012

 Series
Abstract

Donation by Celeste Bedford Walker of her typescript plays, “Distant Voices”, “Sassy Mamas”, “Greenwood: An American Dream Destroyed”, and “Reunion in Bartersville”, included in the collection are synopses, reviews, Walker’s Biography, and her induction into the Texas Institute of Letters, 1983-2017.

Dates: 1925-2017, undated

Accession 2019-039

 Series
Abstract

Additions to the Celeste Bedford Walker archival collection from 1925-2012. The majority of the materials included in the collection are promotional flyers, photographs, correspondence, and newspaper articles relating to Walker’s play, Camp Logan and other plays such as Once in a Wife Time. Also included in the collection are two The New York Times papers from 1925-1926.

Dates: 1925-2017, undated

Acting class notes, undated

 File — Box: 15, Folder: 5
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: undated

Acting class notes, undated

 File — Box: 16, Folder: 1
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: undated

Acting class notes, undated

 File — Box: 18, Folder: 5
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: undated

Acting class scenes, character analysis worksheet, 1979, undated

 File — Box: 4, Folder: 8
Series Description From the Series: The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...
Dates: 1979, undated

Acting class syllabi, 1962, 1963, 1976, undated

 File — Box: 4, Folder: 1
Series Description From the Series: The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...
Dates: 1962, 1963, 1976, undated